一直作為(wéi )米路斯.科曼劇(jù )本鐵(tiě )三(🏽)角(另一位是帕培錫,也是本片編劇之一)成員(yuán )的艾(ài )雲.巴薩,當然也(💤)走低度戲劇(👋)路線。同(❣)是音(yīn )樂家的(de )(😎)彼德(dé )(🖲)與卡洛老友重逢,生(shēng )活(🎡)狀況大(dà )不(🙍)同,你有伴侶我有家庭,然而都有說不(bú )出的(✖)不(bú )明朗,唯有以(🥀)酒與音(yīn )(😱)樂代替口(💞)水。全(🌙)片推展(🚣)不(🔩)問(🥁)目的,只在剎(😞)那間的(❔)意圖,行行企企比起科曼更(gèng )義無反顧,卻(què )有生(🌞)活(huó )淡如(👓)流(🙀)水(🙉)的詩意和繆(🈴)思,叫觀眾(👃)聯想到二十年後的(💠)伊(yī )力.盧馬。巴薩鍾愛音(🧣)樂的(de )(⚾)程度不下於文字和電影,古典(diǎn )音(yīn )樂與民間音樂於全(quán )片迴(🐛)轉(zhuǎn )迴(⛏)盪,難怪成了奇(💅)斯(sī )洛(luò )夫(fū )斯基十(💯)大心(xīn )愛電影(💿)之一(yī )。 康城影展青年(nián )評(píng )審團獎(👵),美國全國影評人協會特別獎 (🌱) 這(🖍)部(bù )(🔫)1966年的珍品(🚽),是捷克新浪潮短暫(zàn )(📤)生(shēng )命中最佳(👚)作品之一。成(chéng )(🤼)名音(📬)樂家(🕺)到小鎮探訪(fǎng )(🚩)舊同學,舊(💁)同學是個(gè )窮(👅)音樂(lè )(🐈)教師,有時在喪禮(lǐ )上吹(🖱)奏(zòu )樂(lè )(👼)曲。平凡(fán )的素材在巴素手(shǒu )裡(lǐ )(🕵),變出(📯)風趣復罕見的旋律(🏆),一部憂(🎆)鬱(yù )的喜劇,或灰色喜(xǐ )劇。 - Dave Kehr, Chicago Reader Ivan Passer's (Cutter's Way and Creator) last film to be made in his native Czechoslovakia is about friends – musician Petr and music teacher Karel – reunited when Petr returns to town for a performance. Passer frequently collaborated with Milos Forman and the episodic, low-action aesthetic that was evident in Forman's early work can be seen here. Years of separation have bred apprehension between the two men, and Karel's simmering jealousy makes their meeting all the more awkward. Eventually, the barriers crumble enough for the pair to freely discuss their lives. The film's simple beauty is in the details of the men's reacquainting themselves with each other, discovering each other's regrets and unfulfilled desires. Alive with pathos, humour and insight. Special Award, National Society of Film Critics Awards Its simple city mouse-country mouse story involves the meeting of two former schoolmates as they prepare for a small-town concert. Enlivened by Passer's flair for grotesquerie, this unassuming masterpiece maintains a delicate balance between hilarity and despair. (🆒) - Elliott Stein, Village Voice (👚) Source HKIFF Czech New Wave 2006
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